Asher B. Durand Papers, 1812-1886, Manuscripts and Archives, New York Public Library, New York, N.Y.
Luman Reed Papers, 1820-1895, New-York Historical Society Mss Collection.
Thomas Cole, Catskill Sketchbook, Prints and Drawings Department, Museum of Fine Arts, Boston.
Thomas Cole Papers, 1821-1863, Manuscripts and Special Collections, New York State Library (NYSL), Albany, N.Y.
Thomson-Cole papers, Greene County Historical Society, Coxsackie, N.Y.
Archives of American Art, Smithsonian Institution:
Detroit Institute of Arts:
Greene County Historical Society:
Hudson River Museum:
Hudson River Portfolio, featuring the collections of the New York Public Library:
Hudson River School Art Trail:
Hudson River School Glossary, The Albany Institute of History and Art:
James Fenimore Cooper's The Pioneers:
Metropolitan Museum of Art:
Munson-Williams-Proctor Arts Institute, Utica, New York:
National Gallery of Art:
New-York Historical Society:
New York State Library, Albany:
Official Tourism Site of the Catskills:
Official website of the Thomas Cole House:
Olana State Historic Site:
Smithsonian American Art Museum, Inventories of American Painting and Sculpture, Thomas Cole:
The Newington-Cropsey Foundation:
Thomas Cole's "Essay on American Scenery":
Thomas Cole's poetry:
Wadsworth Atheneum, Hartford, Conn.:
White Mountain Art:
William Cullen Bryant's "Funeral Oration" for Cole:
Anderson, Patricia. The Course of Empire: The Erie Canal and the New York Landscape, 1825-1875. Rochester: Memorial Art Gallery of the University of Rochester, 1984.
Avery, Kevin J. and Franklin Kelly, eds. Hudson River School Visions: The Landscapes of Sanford R. Gifford. Assisted by Claire A. Conway, with essays by Heidi Applegate and Eleanor Jones Harvey. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2003.
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Campbell, Catherine and Marcia Blaine. NH Scenery: a Dictionary of Nineteenth-century Artists of New Hampshire Mountain Landscapes. Canaan, NH: Phoenix Press, 1985.
Campbell, Catherine. "Two's Company: The Diaries of Thomas Cole and Henry Cheever Pratt on Their Walk Through Crawford Notch, 1828," Historical New Hampshire; 33 1/2 (Winter, 1978). 308 - 333.
As Time Passes Over the Land: White Mountain Art. Exhibition catalogue, Karl Drerup Art Gallery, Plymouth State University, Plymouth, NH. February 8 - April 11, 2011.
A Sweet Foretaste of Heaven: Artists in the White Mountains 1830 - 1930. Exhibition catalogue, Hood Museum of Art, Dartmouth College. September 10 - October 30, 1988. Hanover, NH: University Press of New England, 1988.
Consuming Views: Art and Tourism in the White Mountains 1850 - 1900. Exhibition Catalog, Museum of New Hampshire History, September 16, 2006 - May 6, 2007 Concord, N.H. : New Hampshire Historical Society; Hanover and London : Distributed by University Press of New England, 2006.
The White Mountains: Place and Perceptions. Exhibition catalog, University Art Galleries, University of New Hampshire. September 8 - October 29, 1980. Durham, NH. University Press of New England: Hanover, NH. 1980.
Civosky, Nikolai Jr. "The Ravages of the Axe: The Meaning of the Tree Stump in Nineteenth-Century Art," Art Bulletin 61 (1979): 611-626.
Cole, Thomas. The Collected Essays and Prose Sketches. Edited By Marshall Tymn. St. Paul: The John Colet Press, 1980.
Cole, Thomas. The Correspondence Of Thomas Cole and Daniel Wadsworth: Letters in the Watkinson Library, Trinity College, Hartford and New York State Library, Albany N.Y. Edited by J. Bard McNulty. Hartford: Connecticut Historical Society, 1983.
Cole, Thomas. Thomas Cole's Poetry: The Collected Poems Of America's Foremost Painter of the Hudson River School Reflecting His Feelings for Nature and the Romantic Spirit of the Nineteenth Century. Compiled and edited by Marshall B. Tymn. York, Penns.: Liberty Cap Books, 1972.
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Earenfight, Phillip, and Nancy Siegel, eds. Within the Landscape: Essays on Nineteenth-Century American Art and Culture. University Park, Penns.: The Pennsylvania State University Press, 2005.
Felker, Tracie. "First Impressions: Thomas Cole's Drawings of His 1825 Trip up the Hudson River," American Art Journal 24, nos. 1/2 (1992): 60-93.
Ferber, Linda S., ed. Kindred Spirits: Asher B. Durand and the American Landscape. New York: Brooklyn Museum in association with D Giles Limited, 2007.
Field, George. Chromatics: or, an Essay on the Analogy and Harmony of Colours. London: Printed for the author by A.J. Valpy and sold by Mr. Newman, 1817.
Flexner, James Thomas. History of American Painting: That Wilder Image, the Native School from Thomas Cole to Winslow Homer. Boston: Little, Brown, 1962; New York: Dover Publications, 1970.
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Foshay, Ella M. Mr. Luman Reed's Picture Gallery: A Pioneer Collection of American Art. Introduction by Wayne Craven. Catalogue by Timothy Anglin Burgard. New York: Harry N. Abrams, Inc. in association with the New-York Historical Society, 1990.
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The Hudson River Portfolio. Views from drawings by W. G. Wall by John Hill. New York: Published by Henry I. Megarey, 1823-24.
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